Showing posts with label David Biddle. Show all posts
Showing posts with label David Biddle. Show all posts

Friday, December 18, 2009

Jingle, Jingle! Holiday Wishes for Writers

To ring in the winter holidays, I've compiled some wishes from TW contributors. May the coming year bring inspiration and empowerment to all pens—and computers!

My other wish? That Talking Writing continues to thrive and grow and connect with the terrific community of writers online. Thank you all for stopping by—Martha Nichols


"I wish for every writer an ever-increasing love for people," Paula Silici says, "so they may tell their stories from a heart of goodwill, respect, honesty, and compassion."

"More than a room of one's own," Carol Dorf says, "a writer needs time. My wish is that writers are able to make use of the fragments of time they find flapping on the line above the other demands in their lives."

"I wish for everyone what I wish for myself," Laurie Weisz says. "A chance to step outside the cyclone of distractions, bills, work, all the pissy details of life, and step into my fiction. As composite an exit as Narnia delivered in the third grade. A place way over the rainbow, where the privacy of writing, somehow, resurfaces. I’m cheering for anyone reading this article."

"My hope for our profession is that it remains professional," Judith Ross says. "It’s one thing to post unedited ramblings and pass them off as 'literature.' It’s another to post opinions, rumors, and made-up accusations as facts. In 2010, writers like us—who have been trained and mentored by skilled editors—can’t keep quiet. We must insist that a clear, coherent, and above all accurate message is more important than whatever fancy new technology it might be packaged in."

"My wish is for the clear thinking that enables us to coherently and effectively pull together the fragments of experience, impression, and knowledge that form our stories," Elizabeth Langosy says.

"Here are my wishes for 2010," David Biddle says:
1. Google realizes that information still wants to be free, but good writing is something they believe people should be paid a living wage for—and then does something about it in order to get the real content providers on their side.

2. Kindles come down in price to $39.95.

3. The Association of Author's Representatives adopts a single standard for online submissions only: the first 50, a two-page synopsis, and a half-page bio. Any deviation from this standard will be deemed by AAR a first indicator that an agency is still lost in the 20th century, where writers needed to be kept in their place because people were so afraid that they'd muck things up. Writers should not be forced to support the U.S. Postal Service anymore.

4. We learn that David Foster Wallace is actually alive and well, living on the lam in Andre Agassi's basement, working on a mystery about God and his frustrations with Van Morrison, and secretly teaching Andre and Steffi's kids how to play tennis while being intellectuals at the same time.

5. Annie Dillard publishes another novel with writing that is more meaty and pure than what she already gave us in The Maytrees.
Karen Ohlson says, "May the new year bring you the time and circumstances to write what matters to you. (Virginia Woolf's 'room of one's own,' or its modern equivalent—a laptop of one's own.) And may your writing not be just 'content,' as you are much more than a 'content provider.' May it, literally, not be contained. May it spread forth and reach untold others. May your writing bring joy, holy or unholy, to the world. To paraphrase..."
Let earth receive its sound
And every heart
Prepare it room
And heaven and nature sing
And heaven and nature sing
And heaven, and heaven, and nature sing...

Friday, October 23, 2009

When Life Hands You Roses and Love

What does a writer do when the meaning of life changes and everything he's been writing for ten years goes against the grain of his new insights?

By David Biddle for Talking Writing


The fiction I’ve been writing over the past decade is about the day-to-day pathos of love between married people. During the past several years, close to 20 of my friends and family members have had to deal with infidelity and other versions of crumbling love. It’s very likely that for every marriage challenged by affairs and anomie, there are probably another 20-30 other couples out there either headed in the same direction or struggling with the humdrum day-to-day of children, jobs, mortgages, commuting, shopping, and periodic, hurried, and quite periodic sex.

Every bit of my prose is informed by the emotional lives around me. I am currently shopping seven different stories about infidelity and obsession to literary publications everywhere. The main theme of these stories is that love is tragic but somehow desire is still life affirming. This is a cynical view of married life in America, but to a certain extent it describes the reality.

Out there as well is a manuscript for a novel I wrote about suburban sexual intrigue that is both amoral and pathetic. My intent was for the reader to come away in pain, pondering why life’s beauty still made it possible to go on finding meaning in living. Yes, so far the book has been rejected by three agents and two small publishers. I’m proud of my work on it though. It’s kind of Henry Miller meets John Cheever in post-9/11 America (at least, that was my intention). I feel that it's honest and true and the writing reflects this.

Something’s happened in my own life though. My children have grown up. The youngest is 14. In the past year my wife and I have been able to spend a frighteningly huge amount of time alone together. The pressure of raising a family is off us. We each have gone through soul-searching transitions that were not easy. Our own partnership was challenged. We realize now that we have struggled together for at least the past decade. Maybe longer. But in the last six months we have grown closer and closer. In the past month we’ve become like two young lovers again. I’ll spare you the details. Let’s just say, I’ve learned there can be happy endings; or, rather, in our early 50s maybe we should say happy new trails can indeed lead off into the sunrise of mature and tested love.

But now I’ve got a real problem. I don’t see love so cynically anymore. I see hope and I see redemption for those of us heading into these last phases of our lives. I want to share this new revelation with all my friends and readers. Most surely this will pop up in future stories I write. But for now, the dilemma I face is whether I need to go back into the stories I have floating around out there, particularly my novel manuscript, and rewrite them to reflect my newfound zest for living and my hope for all married couples once giddy for each other everywhere.

It’s not clear what I should do. Tragic, cynical, amoral characters and stories have a lot of traction in this modern crazy sickened world. Shifting gears so abruptly back toward the notion that love conquers all (which I firmly believe is true) would certainly mean major re-writes, but it could also mean that my stories go out there designed to enhance life rather than depict it as tragic and inevitably painful. What do you think? Should a writer re-visit stories that have not been published if he or she has had a dramatically life altering experience that changes their world view?