Why Writers Need Social Media

Guest Post by Jane Ward for Talking Writing


Writers write.  Straightforward, yes?  Not exactly. 

Some writers hold down part-or full-time jobs, have active roles in their communities, raise children.  Weekly loads of laundry are a given.  These days we also blog, Tweet, gather fans on Facebook, and insert key search words into our smartly designed websites, thus building marketing platforms.

For the most part—especially when it comes to marketing—the above depicts me, my life, and I admit to having days when I wonder: Well, how did I get here?

Actually, this question has been on my mind this week because both an aspiring writer and a local journalist contacted me to talk about my experiences with Twitter.  Me?  Talk about Twitter?  Eight months ago I was Twitter ignorant and content that way.  A little over a year ago I had no blog and no website. I had one Facebook friend (my hair stylist) who tried and tried in the face of my resistance to explain what wonderful connections Facebook could help me make.  I had little interest, I told him, and my Facebook account languished.  I couldn’t even be bothered to put up a profile picture.

My problem?  A very real fear of diving into the intertwined worlds of social media and self-promotion.  I found the idea of shouting my name loudly from so many public bullhorns frightening. 

Truly.  I’m not being coy here.  I know a few fiction writers, and nine-tenths of us want to let the writing speak for us because we are sort of shy.  We all burn with things to say but prefer to say those things from the mouths of our characters and not our own mouths.  The one writer I do know who has for years seemed entirely at ease with pitching herself makes me shake my head in amazement.  “I’m not that comfortable, I may never be that comfortable promoting myself,” I recall saying to another writer friend more than once. 

Now, it seems, I am that writer.  Or a version of her.  I blog.  I’m on Twitter where I have about 235 followers.  I have 76 Facebook friends.  I post links to my blog on both social media sites, bombarding these patient people with my work.  I no longer write with the sole purpose of finishing a work of fiction; rather, I work concurrently at the fiction and at building the platform so that I may have a shot at selling the latest finished work.  Why the change?

Everything has changed around me and my fellow writers.  I had to change.

The publishing world, certainly, has changed, become more revenue-driven since the days when the legendary Max Perkins fostered equally the careers of the well-known (Hemingway) and the lesser-known (Archie Binns, Pacific Northwest historical fiction writer).  While it has never been easy for a writer to be published, editors like Perkins once brought along their novice talents with patience, waiting for an author’s readership to grow with each successive book.

Editors still seek out talent, but it gets harder for them to justify waiting while a writer’s career gets a foothold.  Often if a first book doesn’t sell phenomenally well, an editor can’t persuade the publisher to gamble on book two, a book that may or may not do better in sales.  And in a dull economy the sales from a blockbuster entity may just carry a company through some dark times.  There are breaks to be had, but lesser-knowns and as-yet-unknowns usually need to market themselves assertively to make their big break into the well-known sphere.

The marketing effort itself has a different look, too.  Connecting directly with readers still matters, but it’s no longer done primarily through your novel.  With so many technological advances it has become both easier to connect—through emails, notices, e-zines, blogs, tweets, personal appearances—and more time-consuming to do so—it takes a lot of time to participate in each and every one of these arenas with dedication.

Time one could actually spend writing, oh, a novel, for example.

My journalist friend who was gathering information for his recent article on Twitter sent me the following questions: “I was wondering how Twitter has been helping you as an author.  Do you find it helpful?  Is it a distraction from actually writing?”

It can be, I have to answer.  See above.

But I have become a more organized and focused writer as a result, and that’s nothing to sneeze at.

Neither is the connection.  I have met other wonderful writers and food journalists who have offered me new venues for my work.  Here’s how I summed it up for my friend’s cousin, the aspiring romance novelist who was considering dipping her toe in the Twitter pool:

“Get on Twitter right away…search literary agent lists, romance and other writers lists…start following people…then look over the lists of their followers and follow some of them.  Soon you’ve got a good bunch you can keep an eye on and help.  With luck and effort, they'll start following back.

“Don’t be afraid of starting up conversations with anyone you have good instincts about.  I've found everyone is very, very friendly and genuinely interested in promoting, not only themselves, but you too, through their alliances with others.

“We all help each other become stronger and more widely read writers.”

We writers may work harder at selling ourselves than ever before, but each of us participating in this mix has found our modern-day Max Perkins.

Better, we have found our readers.  On our blogs, on Twitter, on the e-zines we are honored to contribute to.  Writers write, and we’re writing more every day as the world gets more technologically and economically complex.  We’re read in ways the writers before us couldn’t have imagined and in the end, that’s all that matters. 

Writers write.  But we need readers if we want to continue.  We’ve always had to find those readers one way or another.  It’s the same as it ever was.


This post originally appeared appeared as "Same As It Ever Was" on Jane's blog Food and Fiction.


The author of Hunger (Forge 2001) and The Mosaic Artist (to be released), Jane Ward is at work on her third novel, a weekly food and fiction blog, and a cookbook/memoir entitled Tattooed with Food.  She is also a contributing writer to the online food magazine Local In Season.

Jingle, Jingle! Holiday Wishes for Writers

To ring in the winter holidays, I've compiled some wishes from TW contributors. May the coming year bring inspiration and empowerment to all pens—and computers!

My other wish? That Talking Writing continues to thrive and grow and connect with the terrific community of writers online. Thank you all for stopping by—Martha Nichols


"I wish for every writer an ever-increasing love for people," Paula Silici says, "so they may tell their stories from a heart of goodwill, respect, honesty, and compassion."

"More than a room of one's own," Carol Dorf says, "a writer needs time. My wish is that writers are able to make use of the fragments of time they find flapping on the line above the other demands in their lives."

"I wish for everyone what I wish for myself," Laurie Weisz says. "A chance to step outside the cyclone of distractions, bills, work, all the pissy details of life, and step into my fiction. As composite an exit as Narnia delivered in the third grade. A place way over the rainbow, where the privacy of writing, somehow, resurfaces. I’m cheering for anyone reading this article."

"My hope for our profession is that it remains professional," Judith Ross says. "It’s one thing to post unedited ramblings and pass them off as 'literature.' It’s another to post opinions, rumors, and made-up accusations as facts. In 2010, writers like us—who have been trained and mentored by skilled editors—can’t keep quiet. We must insist that a clear, coherent, and above all accurate message is more important than whatever fancy new technology it might be packaged in."

"My wish is for the clear thinking that enables us to coherently and effectively pull together the fragments of experience, impression, and knowledge that form our stories," Elizabeth Langosy says.

"Here are my wishes for 2010," David Biddle says:

1. Google realizes that information still wants to be free, but good writing is something they believe people should be paid a living wage for—and then does something about it in order to get the real content providers on their side.

2. Kindles come down in price to $39.95.

3. The Association of Author's Representatives adopts a single standard for online submissions only: the first 50, a two-page synopsis, and a half-page bio. Any deviation from this standard will be deemed by AAR a first indicator that an agency is still lost in the 20th century, where writers needed to be kept in their place because people were so afraid that they'd muck things up. Writers should not be forced to support the U.S. Postal Service anymore.

4. We learn that David Foster Wallace is actually alive and well, living on the lam in Andre Agassi's basement, working on a mystery about God and his frustrations with Van Morrison, and secretly teaching Andre and Steffi's kids how to play tennis while being intellectuals at the same time.

5. Annie Dillard publishes another novel with writing that is more meaty and pure than what she already gave us in The Maytrees.

Karen Ohlson says, "May the new year bring you the time and circumstances to write what matters to you. (Virginia Woolf's 'room of one's own,' or its modern equivalent—a laptop of one's own.) And may your writing not be just 'content,' as you are much more than a 'content provider.' May it, literally, not be contained. May it spread forth and reach untold others. May your writing bring joy, holy or unholy, to the world. To paraphrase..."

Let earth receive its sound
And every heart
Prepare it room
And heaven and nature sing
And heaven and nature sing
And heaven, and heaven, and nature sing...

So…You Want To Be a Writer?

Guest Post by Ken Hertz for Talking Writing

Ken originally wrote this piece in one of my journalism classes at Harvard. It’s such a terrific satire of all the advice flung at writers that I thought it would be a funny follow-on to the posts we’ve been running at TW about style rules. So toss out your Strunk and White for a vicarious moment or three—and relax! Martha

A few years back, I enrolled in journalism school to pursue my long-deferred dream of becoming a writer. From that experience, I can confidently say to others who harbor similar aspirations: you can do it.

Yes—you can become a writer. You just need to follow a few simple guidelines.

I’ve taken to heart my professors’ admonishments on the importance of journalistic values such as honesty, integrity, verification, and so forth—along with some other very important principles that I’m pretty sure I wrote down in my notes during class but can’t seem to locate at the moment.

Fortunately, in my quest to become a writer I’ve acquired some useful rules-of-thumb myself. So, from one aspiring writer to another, I humbly offer these five hard-earned nuggets of wisdom that may help you in your own pursuit of literary stardom:

1. Learn the fine art of procrastination

It’s inevitably part of being a writer, so you might as well embrace the reality. 

For example, when you finally clear your schedule and sit down with great resolve to begin your new life as a writer, don’t become alarmed if you suddenly feel the pressing need to clean out your garage that very moment. Or if you are certain that this is exactly the right time, at long last, to get around to organizing the thousands of digital photos stored somewhere on your old hard drive. 

When you have these urges, immediately discontinue any attempt to produce actual written work and give into them wholeheartedly. They’re a good sign that you’re well on your way to becoming a successful writer.

2. Stay uninformed

Despite what your professors might say, you should avoid reading newspapers at all costs. Too many depressing stories about the imminent demise of the newspaper industry. And since you want to be a writer, you’re likely to be genetically prone to bouts of depression anyway. Why exacerbate the problem?

3. Strive for rejection

According to Wikipedia (pssst…here’s a bonus tip: Wikipedia is awesome, and it’s the only source you’ll ever really need as a journalist—just don’t tell anyone you heard it from me, OK?) it was Albert Einstein who once said “If you want to increase your chances of success, then increase your failure rate.”

I’ve made this my highest priority and am personally trying to accumulate as many rejection letters as possible. I’ve purchased a new file cabinet to hold the thousands I anticipate receiving. You can also make a chart to post on the refrigerator and give yourself a gold star when hitting certain milestones—the 10^th, 100^th, 1000^th.   

(I do admit I may have a slight problem with this one, though. I’ve gotten so addicted to receiving rejections that each time I submit a finished piece, I pray that it won’t be accepted for publication. That would blow my streak of failures, and I’d have to start all over again.)

4. Practice being completely alone

To prepare for life as a writer, spend as much time alone as possible, so you can train yourself for the day when you can finally spend all your time engaged in the solitary pursuit of stringing words together.

Before attempting the actual process of writing, I recommend sitting by yourself for hours at a stretch with nothing other than a desk and chair to see what it’s like. 

(Just be sure it is in a windowless room. You need to cut down on the time that would inevitably be wasted by gazing outside into the distance. Serious writers must constantly guard against the temptation to engage in idle daydreaming, which is the sure mark of an amateur.)

5. Ignore the so-called “experts”

Don’t trouble yourself with those prim little know-it-all books like The Elements of Style by William Strunk Jr. and E.B. White, which was written like a hundred years ago anyway. They’re full of high-minded rules about ensuring that participial phrases are preceded by proper prepositions, and using the “active” rather than the “passive” voice, whatever that means.

(Believe you me, the fact of the matter is that there can be no doubt whatsoever that by learning to ignore these self-proclaimed authorities and instinctively trust your own writerly instincts, that will surely be the most important idea I can convey to you, so to speak, which will allow you to climb through the great wilderness that is the golden highway to becoming a writer, and, as luck would have it, from the very first time that you first hear about this particular piece of advice with your own eyes, that I am telling you, you will just know for sure, without any doubt, that it is exactly the very type of the sort of this kind of information that will not be forgotten by you, without any doubt whatsoever in your mind.)

Speaking of The Elements of Style, have you seen their “Rule 17”? It says: “Omit needless words.”  This makes no sense—don’t they realize that most magazines pay by the word? That Rule 17 is proof Strunk and White had no idea what they were talking about.

Ken Hertz is a Boston-based airline pilot who has written for several aviation magazines. You can read an article he wrote for Flying Magazine here.

Should Blog Posts Be Edited? The New Style Rules

By Martha Nichols for Talking Writing

The mainstream media loves to snipe about bloggers who offer transcripts of therapy sessions or discourses on their favorite lunch meat. Bloggers themselves may have no use for grammar nazis who cramp their style.

But this year I've discovered just how much editing matters to blogging. Obviously, many people blog for personal reasons. But for the professional writers now migrating online—and all those who want to build readership and get noticed—editing is a crucial tool, even if we're only self-editing.

With this post, I'd like to continue discussing what makes blog writing effective. It's a follow-on to Paula's Silici's piece about manuscript preparation, and I offer ten editorial guidelines for blogging that aren't your granddad's Elements of Style. When I'm evaluating a piece for posting, these are the things I focus on as an editor.

All right, some of the rules will be familiar to professional writers and journalism students. (Go to How to Make My Blog.com for a list of what bloggers can learn from Strunk and White's classic.) But other guidelines here may surprise even seasoned print writers. That's because blogging really does play by different rules.

When I began Talking Writing, I didn't expect to take on a traditional editorial role—and I haven't, exactly. That's the fun of it, as this blogazine evolves. However, I have found myself consulting with other contributors about ideas and how to frame them, and I line-edit all guest posts. Meanwhile, at WOMEN = BOOKS, the blog I run for the Women's Review of Books, I help non-bloggers and academics with how to shape their ideas online.

So maybe the question is actually this: How much should blog posts be edited? You decide, and let us know.

The New Style Rules for Blogging

1. Use an Effective Title
It's important to make clear what your post will be about, even if the title sounds less punchy than you'd like. The "cute" or pun-laden headlines of print magazines are not the best for blog posts. Questions often work well. If you want to say more, you can always insert a subtitle at the top of your post text. Click here for a TW example.

2. Make Your Post Short
This rule gets broken all the time (including by me), but more than ever, readers like short, focused posts—from 400 to 800 words. The more complicated a topic, of course, the longer it can be. But even in a 20,000-word investigative epic, the famous Elements of Style "omit needless words" rule rules.

3. Keep Your Paragraphs Short
Within your post, break the text into paragraphs, and make those no more than a few sentences long. In a blog, big chunks of dense text are even more off-putting than in a magazine column.

4. Use a Good Lead
This may seem obvious to professional writers, but tight leads (or the traditional spelling "lede") are crucial for blogs. The lead refers to your first sentence or short paragraph; it's how you hook readers. What may not be obvious is that the venerable anecdotal lead rarely works unless it's brief. Otherwise, the anecdote itself might as well be the post.

5. Be Provocative
Good ideas and questions matter. The goal is to get readers arguing. There's probably nothing more important to the quality of a post (except fixing atrocious grammar), so I'll keep this section short.

6. But Don't Just React—Illuminate
It's fun to read somebody railing at a bad movie or political figure. However, if you just react with a thumb's up or down, your post will be less effective than one that grapples with why you feel the way you do.

7. Check Your Facts and Links
As Ellen Goodman puts it in a recent Boston Globe column, "Facts—along with their enforcers, editors—have long been the guides and saviors of my career..."

Checking your facts is one basic way to create a trustworthy voice as a writer. It's also the ethical thing to do. Glenn Beck and Sarah Palin may run roughshod over the truth—and seem to get away with it—but writers should hold themselves to higher standards.

Here's where the discipline of journalism has something important to teach the blogosphere, as Goodman and others have argued.

You may be writing about your own experience, but any time you cite a fact that's easily verifiable—such as the title of a movie—you should check it. A quick google of names to verify spellings and other details often does the trick.

You should also link to the source of statistics or other research you cite. If you quote another writer, blogger, or website, doublecheck the wording and link to the source. Attribute quotes or ideas to the right people and name them. (See my attribution of Goodman's piece above.) When you insert links, check to make sure they work.

8. Create a Strong Personal Voice
Blog posts are a chance to relate anecdotes from your own life and to state your own opinions strongly. Blogging is a very subjective medium, driven by the personality of the writer, rather than the omniscient tone of third-person journalism.

When it comes to the voice of a post, my editorial touch is much lighter than with print pieces. Most glossy print magazines have what's called a "house style" or voice—and are edited accordingly—but blog writers are supposed to let their freak flags fly.

The subjectivity of blogging can be freeing, but you still need to keep readers interested—that is, avoid too much detail about toenail clipping or "now I'm sitting down at the computer, thinking about what to write." Instead, think about the kind of person you want to project in your writing: are you likable? are you funny? are you too insulting?

9. Use Links, Images, Video Clips
These are the tools of a new medium, and the ability to link to other information is one of the great advantages of blogs. Don't forget to include links where appropriate, although too many can be distracting. Rather than listing a long URL like http://talkingwriting.blogspot.com/2009/11/view-from-one-inch-shorter.html, insert your link like this.

Images and video clips, especially at the top of your post, are also a draw for readers. A number of web services provide stock photos for free. (In other cases, you may need to get permission or pay.) Whenever reasonable, include a photo or art credit line with the image.

10. Spark a Conversation and Respond to Commenters
A good title, a good lead, a provocative idea—these will help draw responses to your posts. But one of the transformative things about blogging is the participation of others. So don't hang back! Join the conversation by responding to your commenters.

Concluding Thoughts: Revise and Keep Revising
After I've written a post, I go back over it several times. I often cut whole sentences and paragraphs, as well as "needless words." Even after a post is published, I sometimes makes cuts and changes—and it's OK to keep editing your post once it's public.

Really. Nobody's perfect, including editors. For example, I'm adding this concluding section after I published the post last night.

And if you discover factual errors after you've published a post—or a reader points them out—go back and correct the mistake. Most important, explain to readers that you're making the correction. Click here to read a post of mine that contains such a correction note.

Do your part to fight misinformation in the blogosphere. Otherwise, Ellen Goodman may be right about our falling standards for professionalism and truth. "When the reporters go, so do the facts," she writes. "And their checkers."

This J-Student Ponders the Dollars and “Sense” of a New Career

Or How Not to Start at the Bottom When Your Birth Date Shows You’re Nearing “the Top”

Guest Post by Alex Speredelozzi for Talking Writing

Recently, I attended a career fair for journalists at Harvard University. Never mind that I didn’t know the fair was for young would-be interns, not middle-aged graduate students in journalism like myself looking to break into a second career. (How gullible am I to think that newspaper publishers would show up to offer jobs with checks?)

With newspapers bleeding black ink, one might think that few college students would show any interest in journalism. I recall that college for me was a time of idealism, but I thought today’s students were far more practical. Yet that didn’t seem to be the case at this Harvard career fair. There appeared to be no shortage of people interested in media careers. Which is a problem for us all—and especially for me.

My impression of student interest could have been skewed; the number of people might have looked larger because the room was small. I do know, however, that some students came not just from Harvard. One young woman told me she traveled all the way from Cornell University in New York with a group of like-minded students.

Granted, an internship at a newspaper is not only great experience for budding reporters but for those interested in law, government service, public relations, and a host of other professions. The investigative and writing skills are invaluable. But you have to admire the spunk of young people wanting to hurl themselves into an industry in financial disarray.

Maybe the reason for this enthusiasm was best expressed by a panel of veteran international journalists (all current Nieman Fellows) at the career fair. They agreed that there's no money in journalism. I wanted to know what motivates them each day.

“What do you get out of it?” I asked during the Q-and-A.

Their answer: the lifestyle, the excitement, the adrenalin rush. Gary Knight, photographer and editor with VII Photo Agency and Dispatches, couldn’t imagine another career. James Reynolds, China correspondent for the BBC, spoke fondly of flying into a country on an almost empty plane while people rushed to board planes leaving the country.

Hopewell Rugoho-Chin’ono of Zimbabwe, a documentary film director/news producer for Television International, smiled like a kid as he talked about using electronic image-transferring equipment that would have landed him in jail for five years if caught. Anita Snow, Havana bureau chief for the Associated Press, discussed the thrill (and difficulty) of opening a news bureau in Cuba.

These journalists relished the chance to meet and interview both influential people and everyday folks, and to report on crucial events that make history.

But what happens when you’re married with a family and the little eyes in your home look to you for bread and milk?

Even if you find a job as a journalist, it’s not clear how you secure fair pay. In the heyday of newspaper publishing, many owners raked it in but paid journalists only a weekly wage. Early on, reporters unionized to gain some leverage over employers, but unionization doesn’t build you a second home on a lake.

Except for a few stars, journalists get paid like other service employees that we value so much but pay so little: teachers, nurses, firefighters, librarians.

The panelists also agreed that to get and keep a job these days, journalists must know how to work with sound and pictures. Words alone won’t cut it. Though great writing and storytelling are the backbone of journalism, multimedia is the future. We’re a visual society, and we’ve been that way for decades. The technology that’s driving many of the changes in the journalism business is making multimedia the pencil-and-paper of the future.

Fine. I get it. But I have to say that just as the physical ability to put pen to paper never made anyone a writer, the fun of dropping and dragging on a screen won’t turn you into a multimedia expert. What makes a great story great, including one told via podcast, still relies on some old faithfuls: great characterization, great quotes, great story ideas, great reporting.

There’s also a more fundamental law to making it in journalism, at least financially, especially if you can’t afford to start at the bottom. Journalists must develop a niche unnoticed as yet by editors and valued by readers. They need to create a unique “product” and “brand” that can’t be easily replicated.

The buzz word is “specialization.” The journalism field has had specialists for years. But now it requires a higher level of intentionality. You need subject-matter expertise, and editors and readers need to associate your name automatically with that subject. The goal: Ensure that editors can’t hire anyone else to fill your shoes.

With an ample supply of journalists willing and able to cover a town meeting, a Bruce Springsteen concert, or the latest robbery, there’s no reason for publishers and editors to pay for content. Writing better than the next guy by itself doesn’t necessarily translate into higher pay. Sometimes “good-enough” is all that editors and publishers are willing to go for.

Unless, of course, they must come to you, and only you, to get the story.

My problem is that I don’t have a specialty. At heart, I’m a general-assignment reporter. My interests vary wide and far. I was attracted to writing and reporting because of the opportunity it offered to learn a little about a lot of things. So now, I must decide: Do I make a living in a different field and write on the side for pure enjoyment? Or do I develop a niche while also clearing a little space for those stories that widen my eyes? I’ll keep you posted.

You can see samples of my reporting at The Sun Chronicle.

Brainsick in Bloggerland: Certifiable or a Writer's Dream?

Guest Post by Paula L. Silici for Talking Writing


Is blogging making us mentally healthier—or the reverse?

Cyberspace is filled with well-written, thought-provoking blog sites. These bloggers clearly know what they’re doing. As a writer and editor, and especially as a fellow human being, I believe their posts enrich my world and make me proud of my profession.

Yet most of us have visited those “other” blog sites, too. You know the ones I mean: poorly written, poorly punctuated, rife with misspellings, and written by individuals who apparently find it liberating to post every banal detail of every waking moment. And here’s the kicker: most come with illustrative photos.

These “other” blog sites intrigue me. I wonder what motivates this second type of blogger to so publicly exhibit such intimacies. Even when the posts aren’t all that intimate, what would compel someone to while away several hours or more each day sitting at the computer emptying oneself out to an ambiguous audience who may or may not care? There must be a pay-off beyond monetary reward that I have yet to understand.

A sizeable amount of hubris is apparently a blogger necessity. I’m a wary blogger myself, barely touching a toe into the metaphorical whirlpool. I worry about the kind of false comfort this medium offers—especially to young people. Are we truly keeping in touch, or are we actually distancing ourselves farther from the human connections we seek?

I feel we're heading toward the latter, but I’d love to hear what others think. I’d especially like to hear from mental health professionals about the impact of blogging on their patients—positive, negative, or neutral.

Consider the following scenarios, one positive and one negative:

Scenario #1: A blogger I know casually and spoke to last weekend at a writers’ meeting raved about how wonderful blogging is. It thrilled her to know that others were reading her daily posts. It thrilled her even more that she was gaining a growing readership and that many had begun to regularly respond to her posts. Their comments gave her “a high like no other,” she claimed. She ended the conversation by stating that her blog validated her and confirmed her as a person of substance in a deeply profound way. People, she gushed, actually cared about what she had to say. She hoped to someday support her family by writing a successful blog.

All right. There’s something to be said for the dizzying gratification writers feel when a piece evokes an immediate response in others. Professional writers who have suffered the gut-blows of rejections by agents and publishers love the fact that they can now be in control of their work’s destiny. In spite of the current brutal publishing industry, audiences are able to instantly read and respond to an author’s work. This is a good thing, right? A healthy thing.

Then there’s the down side.

Scenario #2: I’ve talked to other bloggers who rarely, if ever, receive comments on their posts. Their reports, of course, aren’t so glowing. Full of hope, they began blogging out of a genuine desire to share with others who they are and what they think and feel. But when nobody responded, the rejection cut deep. One blogger I know, crushed by this experience, quit after only one week in the arena. He later told me he discussed this with his therapist.

There are other scenarios, too. Another blogger writes because, he says, it’s a cathartic, therapeutic experience. He doesn’t care if anyone comments. He simply loves the fact that he’s been provided a “really cool” platform to vent. (He blogs under a pseudonym.)

Oh, yes. And what about those bloggers who publish fictitious “true-life” experiences and post a bogus photo of themselves? Perhaps making up sensational stories that titillate readers is a means of transporting them beyond reality and into a fantasy world where anything and everything is possible. When readers respond to those posts favorably, it’s as if the blogger is given permission, indeed, encouragement, to continue the ruse. Healthy? Unhealthy? Hmmm.

The Internet allows us to visit blog sites anonymously. Hidden in the shadows of cyberspace, we can look through the windows of our monitors and act the voyeur. Blogs allow us into the sometimes outrageous, sometimes shocking, sometimes totally boring lives of others.

But when communicating online, we can no longer touch the person we’re communicating with. We can no longer look them in the eye or hear inflections in their tone of voice or witness the frown or smile on their faces. Yes, photos and videos can be posted; but still, we are once, twice, sometimes thrice removed.

Everyone wants to feel loved and accepted. We all want to feel that our opinions count. Blogging (and for that matter, FaceBook-type sites and Twittering) can provide a certain sense of belonging, a sense of community. Yet who are we kidding here? I know of people who begin first thing in the morning and spend countless hours blogging, reading, posting, and commenting. By doing so, they attempt to perpetuate those warm-fuzzy sensations of community and rightness and well-being. But an addiction is an addiction is an addiction. Any addiction that replaces reality with fantasy is bound to be unhealthy.

I shudder to imagine a lonely world where people no longer gather together in person to discuss issues important to them, or where heated conversations no longer end with a warm handshake or hug. Oh, wait! I-M the psychologist. We just may be there already.

WOMEN = BOOKS: A New Blog About Women's Books, Politics, and Life

By Martha Nichols for Talking Writing


I'm happy to announce that WOMEN = BOOKS, the new blog for the Women's Review of Books, is up and running. Check out the first contributor's post by Frances Kissling, "Blogging for Bottle Caps." Frances is a terrific writer and commentator at Salon and RH Reality Check, among other venues, and her piece about the value of blogging for professional writers should strike a chord with many of us toiling in the online world for little pay.

"Use it," she says, "it" being this new dynamic medium for columnists and other writers. Frances argues that blogs provide much more space to discuss ideas than the New York Times. You can publish whenever you want—no more biting your fingernails waiting for an editor to say yea or nay—and perhaps, most important, blogging allows writers to work out their ideas before diving into more complicated print features and opinion pieces.

The blurb for WOMEN = BOOKS follows. Help spread the word by sharing the link, joining the Facebook Group for the Women's Review of Books, and commenting on the blog.

WOMEN = BOOKS: The Women's Review of Books Blog

If ever there were a time for women to connect, it’s now. WOMEN = BOOKS will create an online community that can jump national and cultural boundaries. Women’s Review of Books has always been about jumping barriers: between feminist academics and political organizers, theory and practice. Now WOMEN = BOOKS will extend the print edition’s range, expanding its audience and the conversation about women’s books, politics, and life. The blog will include posts from selected reviewers and authors from each issue. Readers can comment, building a network for intelligent debate about everything from women in the military to abortion rights to childcare to sex trafficking. Blog comments will be moderated, making it a safe place for discussion of controversial topics. WOMEN = BOOKS will be the new go-to link for women’s studies and feminist organizing, using the power of social networking to help keep the women’s movement alive.

Join the conversation at WOMEN = BOOKS. We publish posts by contributing writers, with a new post every week. The blog is edited by Martha Nichols, a long-time contributing editor at WRB. If you would like to write for the blog, please contact Martha.

Can Blogs Be More Than Cute?

By Martha Nichols for Talking Writing



Here's what I'm resisting: That in my blog, I must turn my entire life into a story. That my family members are the cast of characters, complete with cute snapshots. That readers will be privy to all the details of my life--pictures of my foot surgery, my dog, my Uncle Fred--none of which exist, of course.

Actually, I think most bloggers are writing about their real lives, in both illuminating and eye-glazing ways. The relentless focus on reality is both the pleasure and pain of blogs, and I wonder where they're heading.

The Problem, #1
Keeping a diary has been around for eons. What's different is making that diary public--and making money (if you're lucky) from your nightly scribblings. Here's one of the latest from Heather Armstrong of Dooce.com, a six-figure professional blogger:

"And then five minutes later I feel another menstrual cramp. This goes on for, oh, seven hours? Eight? I can't remember, only that I was certain it meant that I was going to take an enormous crap. That's just my track record. During the last week that I was pregnant with Leta I thought I was going into labor three different times, and each time Jon would break out his watch and time the contractions, and we'd get all excited, like BABY BABY BABY, and then BOOM, I'd go take a poop and everything would stop."

So what's wrong with that? Nothing. Really. Writers need money. I need money. Except.... Heather Armstrong is a good writer, often funny. But most of the parenting blogs like this are too diary-like for me, too insufferably cute or self-conscious. I feel bad saying this, too, because as a feminist, I'm a believer in the power of quotidian details. I just don't want to see pictures of somebody's ultrasound.

I want a good, well-told story.

The Problem, #2
The gender flip on mom blogs is the often male-authored megaphone. It's an op-ed with Hunter Thompson's Disease. Here's a sample from John Batchelor of The Daily Beast:

"The sad-eyed Townhall Turfers now follow the saucer-eyed Birthers and the cranky Tea-Baggers as the latest political fad that the weakling Republicans not only cannot get away from but also cannot get enough of, like chocolate sauce on anything."

It's almost a zinger, almost so bad it's good. It did compel me to read farther, but after a post or two like this, even with great titles like "The GOP Freak Show," I feel exhausted. I become hypnotized by long strings of comments about Sarah Palin (for example), which alternate between wittily brilliant and Neanderthal. This is the blogosphere, and I'm still surprised that so many people type out their thoughts, anonymously, their ids run wild. Maybe it's the id-charge that keeps them doing it, like placing prank phone calls.

I want a good, well-told story.

Ode to Pleasure and Pain
There's something quaint about the proliferating lines of text with these comments, though. People love YouTube, but they love writing, too. They check in on each other's comments, they argue and quibble. They're engaged with each other's words. It's not about pictures, but text. And while I haven't figured out what's coming next for myself as a writer or whether I can turn my blog into a series of mini-stories--has anyone figured it out? have you?—I am writing, more than I have in a long time. In the shorthand of Dooce: It's cool.

Constructive or destructive? De-constructing criticism

By Judith Ross for Talking Writing



This morning all the managers in my office are huddled with an outside consultant in the main conference room. The meeting is on how to give constructive criticism. This session was prompted by feedback received on a staff survey. Apparently, not everyone on the staff finds their managers' feedback helpful.

When it comes to criticism of our work, most writers have seen it all: the good, the bad, and the ugly. The best criticism I ever received pinpointed in a matter-of-fact tone what was wrong, included a suggestion or two, gave a couple of paramenters, and then left the rest to me. The result? One of the best pieces I have ever published.

The worst criticism was emotional, rambling, and included several erroneous judgments about how I do my work. The result? Resentment, anger, and a never-ending round of that age-old phrase going through my head: Take this job and shove it!

What about you? What kind of input do you find helpful? What kind makes you want to throw in the towel and hide under the covers with a trashy novel?